Pierre Huyghe, Collateral Event of the 57th International Art Exhibition - La Biennale de Venezia
From 10 October 2017 to 26 November 2017
The Espace Louis Vuitton Venezia is pleased to announce the opening of its new exhibition paying tribute to French artist Pierre Huyghe. As part of the 57th International Art Exhibition – La Biennale di Venezia, this presentation has been produced in the framework of the Fondation Louis Vuitton’s “Hors-les-murs” program. This program showcases previously unseen holdings of the Fondation’s collection at the Espaces Culturels Louis Vuitton in Tokyo, Munich, Beijing and Venice, thus realizing the Fondation’s aim to mount international projects and make them accessible to a broader public.
Since the late 1980s, Pierre Huyghe has pursued a very personal, multi-disciplinary and hybrid approach, which is constantly evolving, drawing in particular from the worlds of lm, science ction, music, science and archaeology. His unique style is expressed through lm, installations, performances, photography and drawings. For Huyghe, exhibitions are an opportunity to experiment with new ways of presenting his work, in a constantly rede ned “format”. His ambition is to allow the visitors to move away from an “anthropocentric” perspective and instead, re ect on their complex relationship with the invisible world – animal, vegetal and mineral – and an environment that is under threat, through a process of deconstructing and reconstructing visual and emotional perception.
For the exhibition Pierre Huyghe, the Fondation Louis Vuitton presents three works from their collection, between narrative, ction and fugitive memory: A Journey That Wasn’t (2005), Creature (2005-2011) and Silence Score (1997). The selection and the unprecedented presentation of these works have been achieved by closely collaborating with the artist and choosing from the Fondation’s important collection of his works, including: Les Grands Ensembles (1994-2001); L’Expédition Scintillante Acte II (2002); Streamside Day (2003); Mediation Hall, The Land, Model (2003-2008); I do not own 4’33” (2006); The Host and the Cloud (2009-2010); Untilled (Liegender Frauenakt) (2012); A Way in Untilled (2012); Untitled (Human Mask) (2014); Cambrian Explosion 9 (2014).
This exhibition of connected works revolves around A Journey That Wasn’t (2005). This lm is the result of a journey to Antarctica on board the Tara, belonging to the famous explorer Jean-Louis Etienne. The purpose of the expedition was to visit a new island that was formed by melting polar ice caps. An albino penguin was said to inhabit the fringes of the colony of its fellow creatures on this island. The project is expressed in two parts: the expedition itself and a translation of the island’s topography into sound. The sounds are then transformed into a musical score, which is performed by a symphony orchestra on the Central Park skating rink in New York. The lm plunges the viewers into opposite worlds: pure and unspoilt nature and a spectacular urbanized society. Creature (2005-2011) reincarnates the solitary penguin as a small berglass bird with synthetic fur and sound, as a poetic complement to the lm. According to Huyghe, it is more than a sculpture, it has “a unique intuition, far away, in an unreachable land where he/she nearly disappears in the surroundings.”
Silence Score (1997) forms part of the unreal and musical atmosphere created in the lm and continues to disrupt our habits of perception. The four annotated scores were transcribed by Huyghe and, thanks to special software, include the imperceptible sounds of 4’33’’ (Silence) by John Cage, recorded in 1952. Cage’s concept was to have a musician play a few minutes of silence from a score without notes to focus only on the audible sounds of the surrounding space.
"A Journey that wasn't"
© Adagp, Paris 2017
From Monday to Saturday 10 a.m. - 7.30 p.m.
Sunday 10.30 a.m. - 7.30 p.m.
Espace Louis Vuitton Venezia
Calle del Ridotto 1353
30124 Venise – Italie
Tél. : +39 041 8844318
Courriel : firstname.lastname@example.org
About the artist
Pierre Huyghe was born in 1962. He studied at Ecole Nationale des Arts Décoratifs in Paris. He has had numerous international solo exhibitions at such venues as the Metropolitan Museum of Art, New York (2015), the Los Angeles County Museum of Art, Los Angeles (2014), the Ludwig Museum, Cologne (2014), the Centre Pompidou, Paris (2013). He has also participated in a number of international art shows, including dOCUMENTA (13) (2012). He was honored with the 2002 Hugo Boss prize and the special jury prize at the Venice Biennale in 2001 where he represented France.
About the Fondation Louis Vuitton
The Fondation Louis Vuitton is an institution that serves the public interest dedicated exclusively to contemporary art and artists, as well as 20th century works to which their inspirations can be traced. The Fondation’s own collection and the exhibitions it organizes seek to engage a broad public. The building created by architect Frank Gehry constitutes the seminal artistic statement by the Fondation. This building is already recognized as an emblematic example of 21st century architecture. The Fondation Louis Vuitton has welcomed more than a million visitors per year from France and around the world since its opening in October 2014. Con rming this international recognition of the Fondation’s artistic commitment, the exhibition Icons of Modern Art, The Shchukin Collection (October 2016-March 2017) received a record-breaking 1.2 million visitors. From its opening in Paris, the Fondation Louis Vuitton announced that it would engage in international initiatives, both at the Fondation and in partnership with public and private institutions, including other foundations and museums. The Fondation is also responsible for the artistic direction of a specific “Hors-les-murs” program within its cultural spaces in Munich, Venice, Beijing and Tokyo, which are exclusively devoted to exhibitions of works from its collection. The exhibitions they organize are open to the public free of charge, and their programs are promoted through specific cultural communication.