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Adalbert Garden, Winter

  • 2009
  • Wolfgang Tillmans
  • Inkjet print mounted on aluminium in artist' frame
  • 57,5 x 76,7 cm
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Nature, a recurring theme in his work, is approached through its relationship with humans and the city: Adalbert Garden, Winter (2009), or shoe (grounded) (2014). The image shows a close-up of a person's foot wearing a red and black sports shoe with red laces.
Adalbert Garden (a place near his studio) is an image with a raw and melancholic atmosphere. The immaculate snow, pure white, covers the ground like a shroud, offering a blank canvas on which the dark silhouettes of metal frames are drawn. In the background, a wall of grey bricks, worn by time, stands as a silent witness to the history of the place.

Crédit artiste : © Wolfgang Tillmans Crédit photographique : Courtesy Galerie Buchholz, Berlin/Cologne/New York

Wolfgang Tillmans

Wolfgang Tillmans emerged at the beginning of the 1990s as a photographer of a libertarian post-punk youth who listened to techno music.

Since the late 1980s, Wolfgang Tillmans has developed a body of work that stretches the limits of photography and image making. His photographs which he presents taped to the wall, hung from clips or framed, revisit the traditional genres of portraiture, still life and landscape. Tillmans has also worked with the photocopier and has created abstract photographs made in the darkroom without a camera.

The Foundation has more than thirty works by Tillmans acquired since 2007 and, today, is pleased to be showing select works from that collection in Tokyo.

In 2000, Tillmans was the first non-British photographer and artist to receive the Turner Prize awarded annually by Tate in London. The Museum moderner Kunst Stiftung Ludwig in Vienna hosted a major Wolfgang Tillmans exhibition in 2021. The Museum of Modern Art in New York devoted a major retrospective to him in the fall of 2022. In Osaka, Japan, the National Museum of Modern Art showed his work in 2015.

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