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The Fondation is currently closed. It will reopen on October 9th for the "Gustave Fayet, Collector - Designer. Icons of Modern Art" exhibition".

Ana/Ich

  • 2006
  • Susan Hefuna
  • Video, color, sound
  • Duration : 3'32

Since 2001, the artist Susan Hefuna has been creating videos in various countries around the world, which she calls Crossroads. These works are both personal and universal. They are filmed in a single take using standard consumer-grade digital equipment. Her films require no post-production, editing or special effects. They depict reality.

Susan Hefuna adopts the ‘one-take’ working method not only in her videos, but also in her ink drawings, her photographs and her participatory projects that directly engage the audience.

In the video Ana/Ich (2006), Hefuna asked 81 people in Cairo, including herself, to say a single word: ANA (Me). Ana (the Arabic equivalent of the German "Ich") is a palindrome with a soft, harmonious sound, which, through repetition, becomes timeless. The German word ‘Ich’, on the other hand, can only be pronounced one way and has a harsher sound.

Crédit artiste : © Susan Hefuna, all rights reserved

Susan Hefuna

Susan Hefuna is a German-Egyptian visual artist. She works in a variety of media, including drawing, photography, sculpture, installation, video and performance. She lives and works between Cairo, Egypt, and Germany.

Hefuna's drawings generally employ Indian ink for works consisting of more than one layer; for works of a single layer she usually uses watercolor. A recurring theme in her work is the mashrabiya screen, the wooden or stone lattice-work screen that features in traditional Egyptian architecture.

These screens first appeared in Hefuna's drawings in 1990 and her photographs taken with a pinhole camera. In 2008 Hefuna had a solo exhibition of her work, entitled On the Edgware Road, at the Serpentine Galleries, which drew heavily from the recent Arab Spring uprisings.[8] In 2009 around 300 of her ink and pencil drawings on layered tracing paper were exhibited in the Giardini and the Arsenale venues at Fare Mondi, at the 53rd Venice Biennale. Her projects are documented in the Trilogy Pars Pro Toto by editor Hans Ulrich Obrist published by Kehrer.