Dream House

  • 2002
  • Gregory Crewdson
  • Portfolio of 12 Satiny Chromogenic Color Prints
  • Chaque 29 x 44 inch

His attraction to the strangeness and mystery concealed by the reassuring appearances of small-town America brings him stylistically closer to David Lynch, particularly Blue Velvet, in which the camera dives into the grass to discover a human ear crawling with ants. Since the mid-1990s and his Hover series (1996–1997), the central theme of his work was established: the day-to-day life of small rural America as a stage for the psychological study of repressed desires, anxieties and fears. The photos’ sobriety and austerity have a vaguely documentary quality, contrasting with the artist’s works that followed, notably including the Dream House series (2002), richer in detail and colour.

This series of large-format photos, in nocturnal and crepuscular ambiences, are set at the time of day when the power of reason gives way to dark forces and energies, this time going so far as to penetrate the home. From that moment, Crewdson started working with a complete film crew, like a director, meticulously planning his productions. 

Crédit artiste : © Gregory Crewdson

Gregory Crewdson

Gregory Crewdson was born in 1962 in Brooklyn, New York City, and studied at Yale University in Connecticut, USA, where he is now a professor and the director of the photography programme. He lives and works in New York and Massachusetts.

Crewdson stages his photographs like films, using actors, sets, props, people, storyboards and makeup artists. In this way, he addresses the dark side of the American dream as well as his own psychological issues. He believes that only photography always remains silent. There is no before and no after. The events it captures do not unveil their mystery.

His work has been widely exhibited and collected by numerous museums, notably in the USA, including the Museum of Modern Art, the Metropolitan Museum of Art, the Brooklyn Museum, the Whitney Museum of American Art, New York; the Los Angeles County Museum of Art, the San Francisco Museum of Modern Art, California; The Smithsonian American Museum, Washington D.C.. In Europe, he recently exhibited at the Albertina Museum, Vienna, Austria (2024); the Rencontres de la Photographie, Arles, France (2023); the Gallerie d’Italia in Turin, Italy (2022); the Centre for Contemporary Art in Toruń, Poland (2018); and The Photographer’s Gallery, London, United Kingdom (2018).

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