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Mariale m.a.4 - Mariale m.b.4

  • 1960
  • Simon Hantaï
  • Oil on canvas
  • 226,2 x 207,0 x 3,0 cm and 260,5 x 200,5 x 3,0 cm

The Mariales series marks the inaugural stage of "folding as a method". These polychrome paintings are titled by the artist as ‘Mariales’ or ‘Manteaux de la Vierge’ (Coats of the Virgin), in homage to the Madonnas in Majesty of Italian Renaissance religious painting, which depict the merciful Virgin protecting, beneath her wide-open cloak—spread out like a tent—monastic communities or the multitude of the Righteous.

With the Mariales, the blank canvas is no longer, as in the early "foldings" of 1950, the subject of a preliminary whitewash; instead, it is left as is, sometimes smudged or partially brushed, then finely folded or pleated. Colour is then applied to this surface, edge-to-edge and all-over. The process of covering the surface with colour is limited to one or two coats, and the white background shines through, its underlying radiance illuminating the pure pigments on the surface. Sometimes the process is repeated until the pictorial surface is completely saturated. Then, once this work is complete, the canvas is stretched onto the frame in order to smooth out the relief created by the folding and the traces of the process.

Crédit artiste : © Archives Simon Hantaï / Adagp, Paris, 2022 Crédit photographique : © Fondation Louis Vuitton / Marc Domage

Simon Hantaï

A French artist of Hungarian origin, Simon Hantaï (1922-2008), came to Paris in 1948 and completed his whole body of work there. His talent was recognised as early as 1953 by André Breton, who dedicated his first personal Parisian exhibition to him at the Surrealist gallery “A l’Etoile scellée”. Hantaï produced a body of work that was both innovative and abundant, earning him first prize from the Fondation Maeght in 1967 and the National Plastic Arts Grand Prize in 1980. Moreover, he represented France at the 40th Venice Biennale in 1982. Hantaï created 139 works that are now in public French collections, as well as some 50 works that are in public collections around the world.

It was in France—in Paris, where he settled in 1948, and in Meun, between 1966 and 1979— that this painter born in Biatorbágy produced the bulk of his work. After his first solo exhibition under the aegis of André Breton in 1953 at the À L’Étoile scellée gallery, he continued to work in a style marked by the singularity of the pictorial methods he used—in particular, folding, which was a kind of artistic manifesto.

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