News

The Fondation is currently closed. It will reopen on October 9th for the "Gustave Fayet, Collector - Designer. Icons of Modern Art" exhibition".

Mariale m.d.4

  • 1962
  • Simon Hantaï
  • Oil on canvas
  • 236,0 x 207,0 x 3,2 cm

Gradually, Simon Hantaï’s artistic practice became more radical, first in 1958 and then in 1960 with the invention of ‘folding as a method’. Everything that followed stemmed from this, right up until the 1980s, when he stopped painting.

The Marian Paintings – M.A.4, 1960 / M.B.A, 1961 / M.D.A, 1962:

The canvases are folded and crumpled, with the visible sections covered in a single colour. Then, once unfolded, the areas left uncovered are in turn painted in a generally more neutral shade, which contrasts with the vibrancy of the first layer of colour and gives the whole work the appearance of a stained-glass window. The religious allusion is confirmed by the name Hantaï gave to this series (1960–1968), Les Mariales, in reference to the protective mantle of the Virgin Mary depicted in certain medieval and Renaissance works. The earliest works in this series – which include the three works in the Collection – are grouped under the title Le mur, known as Manteaux de la Vierge. These three paintings in the Collection feature three different intensities of drapery and three colour ranges.

Crédit artiste : © Archives Simon Hantaï / Adagp, Paris, 2021 Crédit photographique : © Primae / Louis Bourjac

Simon Hantaï

A French artist of Hungarian origin, Simon Hantaï (1922-2008), came to Paris in 1948 and completed his whole body of work there. His talent was recognised as early as 1953 by André Breton, who dedicated his first personal Parisian exhibition to him at the Surrealist gallery “A l’Etoile scellée”. Hantaï produced a body of work that was both innovative and abundant, earning him first prize from the Fondation Maeght in 1967 and the National Plastic Arts Grand Prize in 1980. Moreover, he represented France at the 40th Venice Biennale in 1982. Hantaï created 139 works that are now in public French collections, as well as some 50 works that are in public collections around the world.

It was in France—in Paris, where he settled in 1948, and in Meun, between 1966 and 1979— that this painter born in Biatorbágy produced the bulk of his work. After his first solo exhibition under the aegis of André Breton in 1953 at the À L’Étoile scellée gallery, he continued to work in a style marked by the singularity of the pictorial methods he used—in particular, folding, which was a kind of artistic manifesto.

Read more