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Negro Period

  • 1986
  • Jean-Michel Basquiat
  • acrylic, oil, xerox collage and bottle tops on wood
  • Without frame: 143,8 x 306,1 x 16,2 cm

Negro Period (1986) evokes the struggles of African Americans. This three-part ‘altarpiece’ consists, on the two left-hand panels, of a storyboard in which the artist blends a multitude of references: anatomical drawings, current affairs, urban figures, and depictions of heroes such as Malcolm X, Charlie Parker and Hank Aaron… Bottle caps frame the two panels, evoking an urban aesthetic. The panel on the right can be interpreted as a self-portrait or an archetype of the Black man. The title is a nod to Picasso’s ‘Negro Period’ and to Basquiat’s recognition as an artist.

Crédit artiste : © The estate of Jean-Michel Basquiat / Adagp, Paris 2019 Crédit photographique : © Primae / David Bordes

Jean-Michel Basquiat

Jean-Michel Basquiat, an American with a Haitian father, gained recognition as an artist in the 1980s. His rise to prominence was swift but his career was cut short. Between 1977 and 1980 he was a graffiti artist, tagging his mysterious, subversive messages with the name SAMO©. By 1980 he was frequenting artists such as Andy Warhol, Keith Haring and Francesco Clemente, and abandoned graffiti for painting.

Buoyed by the energy of hip hop with its sampling, scratching and DJ culture, his practice drew on many influences such as Picasso, Penck, Schwitters, Dubuffet as well as Cobra movement, jazz and voodoo. His frame of reference expanded to include history and global literature, from Homer to Napoleon and Malcolm X. His style was characterised by a bold and sparing colour palette, and the use of symbols such as the crown and skull, as well as numbers and scientific formulas. Like palimpsests, his works feature layers of drawing, scratches, painting, collages of photocopies and objects. The chaotic complexity of his compositions reveals a spontaneous exuberance and a mastery of different materials and techniques, from acrylic to screen-printing, markers to sprays.

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