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Self-Portrait

  • 1977
  • Andy Warhol
  • Screenprint in colors
  • 114,3 x 88,9 cm
illustration

These two self-portraits from 1977, derived from the same photograph, exemplify Andy Warhol's use of repetition. Similar yet unique, the series variations allow him to make numerous chromatic and compositional variations. Here, the variation in shades from greys to reds and greens, along with a slight shift in the orientation of the silkscreen print, contribute to giving these two works a very different plastic rendering. In the same way, the ink saturation, more pronounced on one of the two portraits, thickens the features and emphasises certain characteristics of Warhol's face, seemingly altering his expression. Regarding this serial process, John Cage, a contemporary composer of Warhol, said, "Andy endeavoured, through repetition, to show us that there is no real repetition, that everything we look at is worthy of our attention." This data was crucial for the 20th century, it seems to me. Cage and Warhol invite us to carefully consider everything around us, in a world that is then experiencing an unprecedented surge in the media coverage and mass consumption of images.

Crédit artiste : © 2025 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by ADAGP, Paris Crédit photographique : © Louis Vuitton / Jérémie Souteyrat

Andy Warhol

A key figure in Pop Art, Andy Warhol created a character who, investing in cinema, television screens, gay and underground culture, propelled him to the rank of a social icon.

Initially a fashion illustrator, he turned to painting at the end of the 1950s, taking his subjects from the press, comic strips and advertising. In 1962 he began screen-printing, resulting in his Campbell’s Soup series and portraits of the stars (Marilyn Monroe, Elvis Presley, Elisabeth Taylor), endlessly reproducing the same images. These reflect the collective imagination of consumer society, while other series featuring criminals, accidents, electric chairs or Jackie Kennedy in mourning reveal an idealised America shot through with violence, sex and death. In 1964 Warhol opened The Factory, a studio where he produced his paintings and films, a legendary creative space that attracted artists, poets, actors, muses, musicians and collectors. In 1963 his first self-portraits appeared, as well as his Screen Tests, uninterrupted portrait shots lasting several minutes. Then in the 1970s, and especially the 1980s, came portraits commissioned by celebrities. Made directly in photo booths or using a Polaroid Big Shot, these closely framed portraits show their subjects with a fixed gaze, fragile and "petrified", defining a world that is at once contemporary and timeless.

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illustration