Untitled #167

1986
Cindy Sherman

Chromogenic color print
152,4 x 228,6 x 0,4 cm

An imaginative little girl, fond of dressing up, is naturally drawn to fairy tales, stories of witches and monsters. Here Cindy Sherman plays on contrasting scales, as in Untitled #150, where a giant with its tongue hangingout stands over the Lilliputians. Or she creates a dark forest where a body lies (Untitled #155). She uses prostheses (snout, teeth, breasts, buttocks, and legs) to invent hybrid figures, between human and animal. Cindy Sherman plunges into sordid and macabre, metamorphizing into a sow (Untitled #140), an ogress, a woman crouching on the ground, strewn with pebbles and shells. The same background can be found in Untitled #143, with a soiled bearded face with bite marks. In Untitled #146, with a woman draped in a turban she evokes an astounding tale. For Cindy Sherman, facing the disturbing strangenessand horror is her way to prepare for the unthinkable.

Born in 1954, and living and working in New York, Cindy Sherman has, since the late 1970s, developed a body of work devoted to staging her own persona – work whose success and fame have extended far beyond the realm of art itself. Paradoxically, it is by disappearing behind masks and costumes, make-up and special effects that Sherman has become an icon, challenging the very concept of the portrait.
Cindy Sherman associates the characters in her photographs with roles that she embodies.

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Liquids (water bottles, etc.) are not permitted within the building.

Visitors are invited to leave the galleries 15 minutes before the effective closing time of the Fondation.

If you have any questions, you can contact us by calling +33 1 40 69 96 00 from 10 a.m. to 6 p.m., from Monday to Friday.

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Cindy Sherman

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