Wet Room (Barnaby)

  • 2010
  • Wolfgang Tillmans
  • Inkjet print on paper, frame
  • 40,6 x 30,5 cm
illustration

While he draws our attention to the details of the world around him, Tillmans also reveals the material reality of his medium of choice. Since the 1990s, he has been making his own prints in his studio, which he seems to open the doors to in "Wet room (barnaby)," 2010. He thus gives himself the opportunity to preserve the technical imperfections that an outsourced traditional development would have arbitrarily erased.

Crédit artiste : © Wolfgang Tillmans. Crédit photographique : Courtesy Galerie Daniel Buchholz, Cologne

Wolfgang Tillmans

Wolfgang Tillmans emerged at the beginning of the 1990s as a photographer of a libertarian post-punk youth who listened to techno music.

Since the late 1980s, Wolfgang Tillmans has developed a body of work that stretches the limits of photography and image making. His photographs which he presents taped to the wall, hung from clips or framed, revisit the traditional genres of portraiture, still life and landscape. Tillmans has also worked with the photocopier and has created abstract photographs made in the darkroom without a camera.

The Foundation has more than thirty works by Tillmans acquired since 2007 and, today, is pleased to be showing select works from that collection in Tokyo.

In 2000, Tillmans was the first non-British photographer and artist to receive the Turner Prize awarded annually by Tate in London. The Museum moderner Kunst Stiftung Ludwig in Vienna hosted a major Wolfgang Tillmans exhibition in 2021. The Museum of Modern Art in New York devoted a major retrospective to him in the fall of 2022. In Osaka, Japan, the National Museum of Modern Art showed his work in 2015.

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illustration