Wet Room, Gloves

  • 2010
  • Wolfgang Tillmans
  • Inkjet print on paper, framed
  • 40,6 x 30,5 cm
illustration

Still lifes hold a prominent place in Tillmans' work.
"Wet Room, Gloves" immerses us in an atmosphere where time seems to have stopped, capturing a moment of life through a window worn by time. The gaze is drawn to the natural light that bathes the scene, filtering through fogged-up windows, scratched by humidity, giving the whole a softness that is almost ethereal.
In the foreground, two pairs of sturdy yellow gloves are suspended with an almost poetic simplicity from the window frames. To the right, a frog-shaped sticker, cut out with a touch of childlike imagination, clings to the glass, adding a note of whimsy to this otherwise melancholic scene.

Crédit artiste : © Wolfgang Tillmans. Crédit photographique : Courtesy Galerie Buchholz, Berlin/Cologne/New York

Wolfgang Tillmans

Wolfgang Tillmans emerged at the beginning of the 1990s as a photographer of a libertarian post-punk youth who listened to techno music.

Since the late 1980s, Wolfgang Tillmans has developed a body of work that stretches the limits of photography and image making. His photographs which he presents taped to the wall, hung from clips or framed, revisit the traditional genres of portraiture, still life and landscape. Tillmans has also worked with the photocopier and has created abstract photographs made in the darkroom without a camera.

The Foundation has more than thirty works by Tillmans acquired since 2007 and, today, is pleased to be showing select works from that collection in Tokyo.

In 2000, Tillmans was the first non-British photographer and artist to receive the Turner Prize awarded annually by Tate in London. The Museum moderner Kunst Stiftung Ludwig in Vienna hosted a major Wolfgang Tillmans exhibition in 2021. The Museum of Modern Art in New York devoted a major retrospective to him in the fall of 2022. In Osaka, Japan, the National Museum of Modern Art showed his work in 2015.

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illustration