Thomas Adès & Pekka Kuusisto
Music 3 June 2021 – 8:30pm
Following the French government’s regulations, the concert of 3 June 2021 is postponed to a date to be defined.
British-born Thomas Adès is one of the most acclaimed musicians of his generation, for his talent both as a pianist and as a composer. It is in this dual role that he joins the Finnish violinist Pekka Kuusisto to present this programme, based on a 20th- and 21st-century violin and piano repertoire.
In addition to works by Maurice Ravel and the recently deceased fellow Brit Oliver Knussen, Thomas Adès offers a world première interpretation of his Sonata for piano and violin, commissioned by Fondation Louis Vuitton.
Thomas Adès' work
After an unforgettable concert dedicated to Leoš Janáček in 2018, Thomas Adès returns to the stage of the Fondation Louis Vuitton Auditorium for a remarkable event. Alongside the Finnish violinist Pekka Kuusisto, he demonstrates his talent both as pianist and composer, interpreting the piano and violin sonata that he composed on request by the Fondation in a world première.
A renowned pianist, accomplished orchestra conductor and one of the most gifted composers of his generation, Thomas Adès is a major figure in contemporary music. Far from any outdated tablula rasa, his aesthetic hinges upon the musical past, of which it is an extension, pursual, or – on the contrary – refutation, in a logic that remains eminently individual. As the musicologist Hélène Cao duly notes, Thomas Adès’ music owes some of its accessibility to the assertive way he references the great classic works and also more popular repertoires through approaches ranging from literal to camouflaged, from the direct excerpt to the discreet allusion. His music is striking because it is undeniably subtle, but also because it is fun. His superbly refined rhythmic system, translating a masterfully phrased rubato, mingles with free-form jazz evocations. His harmony – developed through an elaborate modal concept – is always exquisitely sparkling, emphasizing his orchestral skill. The composer also cultivates a taste for writing music for an ensemble through the process of transcription, a prism through which he provides a renewed interpretation of his own music and of the composers that inspire him.
With Powder Her Face (1994), The Tempest (2004) and The Exterminating Angel (2016), Thomas Adès asserts a taste for the opera. This explains his recurring use of extra-musical inspirations – namely literary or pictorial – which also mark his instrumental music.
The piano and violin both play preponderant roles in his repertoire: they are the only instruments for which he has composed concertos (the violin concerto “Concentric Path,” 2005 and the Concerto for piano and orchestra, 2018). Moreover, he also adopted a duet configuration for Lieux retrouvés (2009, for cello and piano). With this latest creation, which he himself performs alongside his talented musical partner Pekka Kuusisto, Thomas Adès invites us to discover a new opus of an orchestral universe that he particularly appreciates, held up to that of his admired forbearers through a subtle game of mirrors.
Thomas Adès was born in London in 1971. His compositions include three operas, the most recent of which - The Exterminating Angel - premiered at the 2016 Salzburg Festival, Powder Her Face (Cheltenham Festival and the Almeida Theatre, London, 1995), and The Tempest (Royal Opera, Covent Garden, 2004). His orchestral works include Asyla (CBSO, 1997), Tevot (Berlin Philharmonic and Carnegie Hall, 2007), Polaris (New World Symphony, Miami 2011), Violin Concerto Concentric Paths (Berliner Festspiele and the BBC Proms, 2005), In Seven Days (Piano concerto with moving image - LA Philharmonic and RFH London 2008), and Totentanz for mezzo-soprano, baritone, and orchestra (BBC Proms, 2013).
His chamber works include the string quartets Arcadiana (1993) and The Four Quarters (2011), Piano Quintet (2001), and Lieux retrouvés for cello and piano (2010). Solo piano works include Darknesse Visible (1992), Traced Overhead (1996), and Three Mazurkas (2010). Choral works include The Fayrfax Carol (King's College, Cambridge 1997), America: a Prophecy (New York Philharmonic, 1999) and January Writ (Temple Church, London 2000).
Thomas Adès was recently appointed Artistic Partner by the Boston Symphony Orchestra through 2019; he will conduct the orchestra in Boston and at Tanglewood, perform chamber music with the orchestra players, and lead the summer Festival of Contemporary Music. From 1999 to 2008 he was Artistic Director of the Aldeburgh Festival.
As a conductor, Thomas appears regularly with, among others, the Los Angeles and New York Philharmonics, Boston Symphony, London Symphony Orchestra, the Royal Concertgebouw, Melbourne and Sydney Symphonies, BBC Symphony, and City of Birmingham Symphony Orchestra. In opera, he has conducted The Rake’s Progress at the Royal Opera House, London and the Zürich Opera and the Metropolitan Opera New York conducting The Tempest, he made his debut at the Vienna State Opera 2015 with the Vienna Philharmonic conducting The Tempest. Last season he performed Totentanz with the Boston Symphony, Los Angeles Philharmonic and the RTE National Symphony Orchestras; Barry’s new opera Alice under ground in Los Angeles (world premiere) and in London (European premiere); as well as performances of Adès’ most recent opera The Exterminating Angel at the Royal Opera House (a co-production with the Salzburg Festival, The Metropolitan Opera, New York, and The Royal Danish Opera). This season engagements include The Exterminating Angel at The Metropolitan Opera in New York; concerts with City of Birmingham Symphony Orchestra, Berlin Radio Symphony Orchestra and his debut with the Czech Philharmonic Orchestra.
His recent piano engagements include solo recitals at Carnegie Hall (Stern Auditorium), New York and the Wigmore Hall in London, and concerto appearances with the New York Philharmonic. In recital, he has appeared throughout Europe and the United States with Ian Bostridge in a tour of Schubert’s Winterreise.
His many awards include the Grawemeyer Award for Asyla (1999); Royal Philharmonic Society large-scale composition awards for Asyla, The Tempest and Tevot; and Ernst von Siemens Composers' prize for Arcadiana; British Composer Award for The Four Quarters. His CD recording of The Tempest from the Royal Opera House (EMI) won the Contemporary category of the 2010 Gramophone Awards; his DVD of the production from the Metropolitan Opera was awarded the Diapason d'Or de l'année (2013), Best Opera recording (2014 Grammy Awards) and Music DVD Recording of the Year (2014 ECHO Klassik Awards); and The Exterminating Angel won the World Premiere of the Year at the International Opera Awards (2017). In 2015 he was awarded the prestigious Léonie Sonning Music Prize. He coaches Piano and Chamber Music annually at the International Musicians Seminar, Prussia Cove.
Violinist, conductor and composer Pekka Kuusisto is renowned for his artistic freedom and fresh approach to repertoire. Widely recognised for his flair in directing ensembles, Kuusisto is Artistic Director of the Norwegian Chamber Orchestra (from season 21/22), and Artistic Partner with The Saint Paul Chamber Orchestra and Mahler Chamber Orchestra.
He is also a Collaborative Partner of the San Francisco Symphony, and Artistic Best Friend of Die Deutsche Kammerphilharmonie Bremen. In season 20/21 Pekka Kuusisto is Artist in Residence with the hr-Sinfonieorchester Frankfurt with whom he will appear as soloist, conductor and chamber musician. He is also In-Residence at Milton Court at the Barbican, which culminates in a concert with the Norwegian Chamber Orchestra.
Kuusisto is an enthusiastic advocate of contemporary music and a gifted improviser and regularly engages with people across the artistic spectrum. Uninhibited by conventional genre boundaries and noted for his innovative programming, recent projects have included collaborations with Hauschka and Kosminen, Dutch neurologist Erik Scherder, pioneer of electronic music Brian Crabtree, eminent jazz-trumpeter Arve Henriksen, juggler Jay Gilligan, accordionist Dermot Dunne and folk artist Sam Amidon. In the coming season he will premiere new concerti by Bryce Dessner, Djuro Zivkovic and Enrico Chapela and chamber works by Sauli Zinovjev and Calliope Tsoupaki. He also performs other concertos written for him including Daníel Bjarnason’s Violin Concerto, Anders Hillborg’s Bach Materia and Nico Muhly’s violin concerto, Shrink. In recent seasons Kuusisto has premiered new works by Sauli Zinovjev, Anders Hillborg, Philip Venables and Andrea Tarrodi. He also tours around the world with orchestras such as Chicago and Los Angeles symphony orchestras, Concertgebouworkest, Orchestre de Paris, Deutsches Symphonie-Orchester Berlin, WDR Sinfonieorchester Köln, London Philharmonic Orchestra, BBC Symphony Orchestra and the Philharmonia, as well as Tapiola Sinfonietta, and the Australian, Scottish and Swedish chamber orchestras.
Kuusisto has released several recordings, notably for Ondine and BIS. He has recently recorded Ades’ Violin Concerto with Aurora and Nicolas Collon for Deutsche Grammophon, Hillborg’s Bach Materia and Bach’s Brandenburg Concertos Nos.3 and 4 with the Swedish Chamber Orchestra and Thomas Dausgaard for BIS and Daniel Bjarnason’s Violin Concerto with the Iceland Symphony Orchestra with the composer conducting for Sono Luminus. Past releases include Erkki-Sven Tüür’s Noesis concerto for violin and orchestra for Ondine and Sebastian Fagerlund’s violin concerto Darkness in Light for BIS, both recorded with Finnish Radio Symphony Orchestra and Hannu Lintu.
- Leoš Janáček
- Sonate for violin and piano
- Thomas Adès
- Sonate for violin and piano - World premiere. Commissioned by the Fondation Louis Vuitton
- Igor Stravinsky
- Duo Concertant
- Oliver Knussen
- Reflection (2017)
- Maurice Ravel
- Sonate no. 2 forviolon and piano