No-Musa, Toyen, Norway

  • 2015
  • Zanele Muholi
  • Gelatin silver print
  • 100 x 60.5 cm

In the series “Somnyama Ngonyama” [“Hail the dark lioness” in Zulu], a collection of self-portraits taken at home and in hotel rooms during their trips abroad, Muholi challenges the history of photographic representations of the black woman. In outrageous makeup, ever-changing hairstyles, and a wide variety of costumes, props and accessories, Zanele Muholi displays their own image with pride, cleverly playing with stereotypes of African femininity. Muholi uses the contrast of black-and-white photography to accentuate the darkness of their body. 

© Zanele Muholi Courtesy of Stevenson Gallery, Cape Town/Johannesburg


Zanele Muholi

Born 1972 (South Africa), Zanele Muholi lives and works in Johannesburg. She grew up in a Durban township. After settling in Johannesburg at the age of 19, she studied graphic design and in 2001 enrolled at the Market Photo Workshop, the school founded by David Goldblatt.

Following her first exhibition in 2004 at the Johannesburg Art Gallery, she worked for the magazine Behind the Mask and cofounded the Forum for the Empowerment of Women, based in Gauteng. Muholi defines herself as a “visual activist”. Her work seeks to shine a light on a marginalised lesbian community, which is often a victim of aggression, notably in the form of punitive rape. Her work goes far beyond social documentary to tackle questions of identity head-on. Her series Faces and Phases Follow Up – begun in 2006 and comprising 300 portraits – best represents her approach. Each model was photographed at different stages of her life. “I'm trying to establish a relationship based on the mutual understanding of what it means to be a black lesbian woman today,” she explains.

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