The Fondation is open 7 days a week for The Morozov Collection. Icons of Modern Art exhibition.

No Room at the End

  • 1977
  • Joan Mitchell
  • Oil on canvas
  • 280.0 x 360.5 x 0.0 cm - Diptyque 280.0 x 180.5 x 0.0 cm chaque

Her recurrent use of panel painting enabled her to control the composition of her paintings in which strident, overlapping colors create tension, while contributing to overall harmony. No Room at the End (1977) is composed of two entirely painted panels; the greens and yellows on the left contrast with the blues on the right.

© The Estate of Joan Mitchell © Fondation Louis Vuitton / Marc Domage

Hangs

Joan Mitchell

Joan Mitchell was trained and achieved recognition in the New York scene in the 1950s before gradually settling in Paris at the end of the decade and establishing her studio in 1968 in Vétheuil—where Claude Monet lived for several years. 

The importance given to gesture, the choice of imposing formats, and the use of pure colors all place her work within American Abstract Expressionism. But this lyrical grammar encounters an interior version connected to landscape and nature, and conveys its vitality. Mitchell worked from memory. She painted neither reality nor memories, but rather her perception of things and space. Her recurrent use of panel painting enabled her to control the composition of her paintings in which strident, overlapping colors create tension, while contributing to overall harmony.

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In the same hang