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Ok, now we're cooking with gas

  • 2018
  • Mark Bradford
  • Mixed media on canvas
  • 72⅝" x 96⅛" x 2⅜" x "

Mark Bradford’s material of choice is paper – posters, adverts, comic strips – using scraps he collects near his studio in Los Angeles. Each collage-painting consists of different layers of material to which he adds various elements – rope, string and wire – encased in thick layers of synthetic resin. He manipulates, tears and sands the surface of the work using a complex process. The result is large, vibrant and textured compositions that may evoke an urban landscape, a grid, aerial views, or neural or venous systems.

Mark Bradford’s work, which is deeply committed to various causes—notably the AIDS cause—echoes American history and contemporary traumas. His work, which he describes as ‘social abstraction’, is an extension of his commitment to disadvantaged communities. Blending painting and collage, *Reports of the Rain* contrasts with the rest of his oeuvre through its homogeneous texture and lyrical quality.

In his more recent works, such as Ok, now we are cooking with gas (2018), the artist incorporates pages from comic books, blending popular imagery with abstraction. The title is inspired by comic-strip speech bubbles.

Crédit artiste : © 2019 Mark Bradford Crédit photographique : © Louis Vuitton / Tommaso Sartori

Mark Bradford

Mark Bradford is an abstract painter whose favourite material is paper. He uses offcuts of advertising posters that he finds near his Los Angeles studio, and gives them a new life.

Bradford began studying at the California Institute of the Arts in 1991, graduating with a BFA (Bachelor of Arts) in 1995 and an MFA (Master of Arts) in 1997. His work takes the form of collage, video, print, installation and performance. In the late 1990s, Bradford began working as a hairdresser in his mother’s salon in South Central Los Angeles. There, he noticed the slender translucent strips of perm end-papers used by the hairdressers, and started using them in his compositions in the studio. He has continued to adhere to this principle of reusing “non-artistic” materials from everyday life. Describing his practice as “social abstraction”, Bradford draws inspiration from the world around his studio. His work addresses issues around culture, popular culture and social concerns. Using paint, collage, “found paper” (pieces of poster, carbon paper, perm end-papers used by hairdressers and so on) he has developed a characteristic technique of layering paper, then unifying the surface with varnish, lacquer and paint. The surface is then torn, dug into, sanded and sometimes disrupted with different materials (string, wire, rope, etc.) to create dynamic, vibrant compositions that are set beneath thick layers of synthetic resin. The finished pieces are large, textured and dynamic, evoking something like an urban landscape, a grid, an aerial view, a spider's web, even a network of veins. Referencing different struggles, the AIDS epidemic, race riots and climate catastrophes such as Hurricane Katrina, Bradford's work is an engaged echo of his country’s history and traumas. Driven by his social conscience, in 2014 Bradford founded Art + Practice, an art and education foundation in South Los Angeles that supports young people living with foster families. In 2017 the artist represented the United States at the 57th Venice Biennale.

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