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On 14 and 15 June, the Fondation Louis Vuitton and the Jardin d'Acclimatation are organising the Family Festival, a weekend of festivities for families and children, who will be taking over the areas of the Fondation for a variety of events, workshops and tours.
In Technology / Transformation: Wonder Woman (1978-1979), Dara Birnbaum uses images from the 1970s television series Wonder Woman, created after the eponymous comic book character. The six-minute video is entirely dedicated to the transformations of the character of Diana Prince, going from secretary to superheroine. The special effects are intensified by the rapid repetition of sequences. The lyrics for the song Wonder Woman Disco (1978), by the Wonderland Disco Band, scroll across the screen before the video ends. In this song, the artist evokes an image of the heroine’s sexualized invulnerability, denouncing stereotypical attitudes of power and submission in representations of femininity.
© Dara Birnbaun
A pioneer of American video art, Dara Birnbaum has been working since the mid-1970s on video work that attacks stereotypes of femininity and explores the ideological and aesthetic repercussions of mass media. Appropriating the archetypal format of a television broadcast, she challenges our imagination through repetitive images, written messages, and soundtracks.
The Kitchen V, Carrying the milk, 2009
Marina Abramovic
Mon enfant, 2014
Adel Abdessemed
WA, 2004
Ziad Antar
No exit, 1989
Louise Bourgeois
Le voyage de noces, 1975
Annette Messager
Fugue, 2003
Louise Bourgeois
Untitled, 2003
Louise Bourgeois
The Krazy House (Megan, Simon, Nicky, Philip, Dee), Liverpool, UK, 2008
Rineke Dijkstra
Autoportrait, 1975
Samuel Fosso
Autoportrait, 1975
Samuel Fosso
Autoportrait, 1975
Samuel Fosso
Autoportrait, 1975
Samuel Fosso
