#FLVfromhome : Thomas Adès et Kirill Gerstein

He frequently leads performances of his orchestral works Asyla (1997), Tevot (2007), Polaris (2010), Violin Concerto Concentric Paths (2005), In Seven Days for piano and orchestra (2008); Totentanz for mezzo-soprano, baritone, and orchestra (2013); and the Concerto for Piano and Orchestra (2019).  His compositions also include numerous celebrated chamber and solo works.

September 2023 saw Thomas Adès conduct the Gewandhausorchester as part of his two-season residency with the ensemble which sees him appear as a conductor, pianist and composer in various concert formats. This autumn Thomas also began a two-season residency with the Hallé orchestra, which sees him conduct two orchestral concerts and curate a chamber programme. For the first appearance on 28 October, Thomas conducted the UK premiere of Tower, as well as the first UK concert performance of his ballet Purgatorio, alongside his Märchentänze for violin and orchestra with Anthony Marwood, which received its UK premiere at last year’s BBC Proms.

Thomas Adès has been the Artistic Partner of the Boston Symphony Orchestra since 2016 and he conducts the orchestra every year in Boston and at Tanglewood. He also regularly coaches Piano and Chamber Music at the International Musicians Seminar, Prussia Cove. 

As conductor, Thomas appears regularly with the Los Angeles and London Philharmonic orchestras, the Boston, London, BBC, Finnish Radio and City of Birmingham Symphony Orchestras, the Royal Concertgebouworkest, Leipzig Gewandhaus and the Orchestra of Santa Cecilia, Rome. In opera, in addition to The Exterminating Angel, he has conducted The Rake’s Progress at the Royal Opera House and Zürich Opera, and the premieres of three operas by Gerald Barry, including the Los Angeles world premieres of The Importance of Being Earnest and Alice’s Adventures Under Ground, of which he also gave the European premiere at Covent Garden. Recent highlights include Thomas’s debut concerts with the Vienna Philharmonic and his conducting debut with the Berlin Philharmonic. In Summer 2022 he conducted the world premiere of Air for violin and orchestra at the Lucerne Festival, a Roche commission for Anne-Sophie Mutter and the Lucerne Festival Contemporary Orchestra. 

His CD recording of The Tempest from the Royal Opera House (EMI) won the Contemporary category of the 2010 Gramophone Awards; his DVD of the production from the Metropolitan Opera was awarded the Diapason d'Or de l'année (2013), Best Opera recording (2014 Grammy Awards) and Music DVD Recording of the Year (2014 ECHO Klassik Awards).

His piano engagements have included solo recitals at Carnegie Hall (Stern Auditorium) in New York and the Wigmore Hall in London, and concerto appearances with the New York Philharmonic and Boston Symphony Orchestra. Recent piano releases include an album of solo piano music by Janáček and a live album of Winterreise with Ian Bostridge. His solo disc of Janáček’s piano music won the 2018 Janáček medal.

In the 2016/17 season Gerstein will perform with the Leipzig Gewandhausorchester, WDR Sinfonieorchester Köln, Dresden Philharmonic, Deutsches Symphonie-Orchester Berlin, St Petersburg Philharmonic, BBC Symphony Orchestra, Netherlands Radio Philharmonic, Danish National Symphony Orchestra, and Orchestre National de France.

Gerstein records for Myrios Classics Gerstein, his most recent release being Liszt’s Transcendental Etudes. His previous recording, Tchaikovsky Piano Concerto No.1 (urtext 1879 edition) and Prokofiev Piano Concerto No.2 with the DSO Berlin and James Gaffigan, was awarded the ECHO Klassik Prize for Concerto Recording of the Year. “This is the kind of serious, intelligent and virtuosic music-making that keeps classical music alive.” (Observer). It is the first recording of Tchaikovsky’s 1879 version and uses the new, scholarly edition from the Tchaikovsky Museum in Klin, Russia.