Renaud Capuçon & the Soloists of the Chamber Orchestra of Europe

Date
From 04.05.2017 to 05.05.2017
Place
Auditorium

the artists

Renaud Capuçon

Born in Chambéry, France, in 1976, Renaud Capuçon studied at the Paris Conservatory under Gérard Poulet and Veda Reynolds, and then under Thomas Brandis in Berlin and Isaac Stern. In 1998 he was appointed Concertmaster of the Gustav Mahler Jugendorchester by Claudio Abbado, where he blossomed under the experienced batons of Pierre Boulez, Seiji Ozawa, Daniel Barenboim and Franz Welser-Moest. He was named a Rising Star and New Talent of the Year at the Victoires de la Musique Awards in 2000, and Instrumental Soloist of the Year in 2005.  In 2006, the Sacem French composers’ association presented him with the Georges Enesco Award.    

Renaud Capuçon was born in Chambéry in 1976 and began his studies at the Conservatoire National Supérieur de Musique de Paris at the age of 14, winning numerous awards during his five years there. Following this, Capuçon moved to Berlin to study with Thomas Brandis and Isaac Stern and was awarded the Prize of the Berliner Akademie der Künste. In 1997, he was invited by Claudio Abbado to become Concertmaster of the Gustav Mahler Jugendorchester, which he led for three summers, working with conductors such as Pierre Boulez, Seiji Ozawa, Franz Welser-Möst and Claudio Abbado.


Since then, Mr Capuçon has established himself as a top-level soloist. He performs with leading orchestras such as the Berliner Philharmoniker, Boston Symphony Orchestra, Chamber Orchestra of Europe, Filarmonica della Scala, London Symphony Orchestra, New York Philharmonic, Wiener Philharmoniker, Orchestre de Paris, Orchestre National de France and Orchestre Philharmonique de Radio France. His many conductor relationships include Daniel Barenboim, Semyon Bychkov, Stéphane Denève, Ernő Dohnányi, Gustavo Dudamel, Christoph Eschenbach, Valery Gergiev, Bernard Haitink, Daniel Harding, Long Yu, Paavo Järvi, Andris Nelsons, Yannick Nézet-Séguin, François-Xavier Roth, Lahav Shani, Robin Ticciati and Jaap van Zweden.


A great commitment to chamber music has led him to collaborations with Martha Argerich, Nicholas Angelich, Daniel Barenboim, Yuri Bashmet, Yefim Bronfman, Khatia Buniatishvili, Hélène Grimaud, Clemens Hagen, Maria João Pires, Daniil Trifonov, Yo-Yo Ma and Yuja Wang, as well as with his brother, cellist Gautier Capuçon. This passion has led him to play at festivals in Berlin, Lucerne, Verbier, Aix-en-Provence, La Roque d’Anthéron, San Sebastián, Stresa, Salzbourg, Édimbourg and Tanglewood. Mr Capuçon has also represented France at some of the world’s most prestigious international events: he has performed with Yo-Yo Ma beneath the Arc de Triomphe for the official commemoration of Armistice Day in the presence of more than 80 heads of state, and played for world leaders at the G7 Summit in Biarritz.


Mr Capuçon is the Artistic Director of two festivals, the Sommets Musicaux de Gstaad, since 2016, and the Festival de Pâques in Aix-en-Provence, which he founded in 2013. As of the 2021/22 season, Mr Capuçon is also the Artistic Director of the Orchestre de Chambre de Lausanne; his first set of recordings with the Tabula Rasa ensemble is an album devoted to the music of Arvo Pärt, released in September 2021.


Mr Capuçon has built an extensive discography and records exclusively with Erato/Warner Classics. Recent releases include a recording of Bach sonatas with David Fray, Dvořák and Tchaikovsky trios with Lahav Shani and Kian Soltani live from the Aix-en-Provence Festival, Bartók’s two violin concerti with the London Symphony Orchestra and François-Xavier Roth, a CD of Brahms and Berg with the Wiener Philharmoniker and Daniel Harding and chamber music from Debussy. His recording Au Cinema, featuring much-loved selections from film scores, was released in October 2018. His latest album Un violin à Paris, recorded with pianist Guillaume Bellom and released in November 2021, features a large range of shorter works arranged for violin and piano.


In 2017, Mr Capuçon founded a new ensemble, the Lausanne Soloists, comprised of current and former students of the Haute École de Musique de Lausanne, where he has held a professorship since 2014. He plays the Guarneri del Gesù ‘Panette’ (1737), which belonged to Isaac Stern. In June 2011, he was appointed Chevalier dans l’Ordre National du Mérite and, in March 2016, Chevalier de la Légion d’Honneur by the French Government.

Chamber Orchestra of Europe

Soloists :

Lorenza Borrani, violin

Pascal Siffert, viola

Richard Lester, cello

Enno Senft, double basse

Clara Andrada, flute

Kai Frömbgen, oboe

Romain Guyot, clarinet

Claudio Alberti, bassoon

Jasper de Waal, horn

The Chamber Orchestra of Europe (COE) was founded in 1981 by a group of young musicians who became acquainted as part of the European Union Youth Orchestra. There are now about 60 members of the COE, who pursue parallel careers as principals or section leaders at nationally-based orchestra, eminent chamber musicians, and as tutors of music.

From the start, the COE’s identity was shaped by its partnerships with leading conductors and soloists. It was Claudio Abbado above all who served as an important mentor in the early years. He led the COE in such stage works as Rossini’s Il viaggio  a Reims and Il barbiere di Siviglia and Mozart’s Figaro  and  Don Giovanni  and conducted numerous concerts featuring works by Schubert and Brahms in particular. Nikolaus Harnoncourt also had a major influence on the development of the COE through his performances and recordings of all of the Beethoven symphonies, as well as through opera productions at the Salzburg, Vienna, and styriarte festivals.

Currently the orchestra works closely with Bernard Haitink, Sir András Schiff, and Yannick Nézet-Séguin. The COE has strong links to the Lucerne Festival and many of the major concert halls in Europe including the Philharmonie de Paris and the Concertgebouw in Amsterdam. The 2018-19 season will see the COE perform with some of the world’s most renowned conductors and soloists including Robin Ticciati, Antonio Pappano, Andres Orozco-Estrada, Leonidas Kavakos, Janine Jansen, Vilde Frang, Nikolaj Znaider and Piere-Laurent Aimard.

With more than 250 works in its discography, the COE’s CDs have won numerous international prizes, including two Grammys and three Gramophone Record of the Year Awards by Gramophone magazine, who recently nominated the COE for their new Orchestra of the Year Award. Their most recent releases include Visions of Prokofiev  with Lisa Batiashvili and Mozart’s  La Clemenza di Tito, both conducted by Yannick Nézet-Séguin.

The COE is a private orchestra which receives invaluable financial support from The Gatsby Charitable Foundation and a number of Friends including Dasha Shenkman, the Sir Siegmund Warburg Voluntary Settlement, Rupert Hughes Will Trust, 35th Anniversary Friends, American Friends  and The Underwood Trust.

The programme

Richard Strauss
String Sextet, extract from Capriccio Op. 85
Wolfgang Amadeus Mozart
Divertimento No. 17, for String Quartet and Two Horns in D Major K.334
Richard Strauss
Metamorphosen (Arrangement for 7 instruments by Rudolf Leopold)