Residency - Thomas Adès
© Marco Borggreve
- Dates
- Friday 08 November 2024
Saturday 09 November 2024
Tuesday 12 November 2024
Saturday 16 November 2024 - Place
- Auditorium
- Hours
- 20h30
Twice invited to the Fondation – in 2018 and 2021 –, Thomas Adès, the “bad boy of contemporary music” (Le Monde), is in autumn residency for a masterclass and three superb concerts.
Having been awarded a double-starred first at the prestigious King’s College, Cambridge, and won several international competitions, he is at ease at the piano as he is conducting and composing for major orchestras. His latest opera, The Exterminating Angel, was presented in March 2024 at the Opéra Bastille and Mr Adès “dazzled the audience with both his score and the quality of his conducting” (Resmusica). Sensitive and expressive, often carnal, his music rises from the crucible of a Romantic lyricism, a powerful acoustic mixture that summons, with informed eclecticism, diverse reminiscences of the past: dances, popular music, Baroque forms, etc. He is eager to introduce audiences to the rarely played gems of yesterday and today and, for his three concerts, has assembled a bouquet of appealing, singular, sometimes atypical works that resonate with his own creativity.
Programme
Concerts
Friday, 8 November, concert at 8.30 p.m.
Thomas Adès, piano
Quatuor Diotima
Mark Simpson, clarinet
Tuesday, 12 November, concert at 8.30 p.m.
Thomas Adès, piano
Katalin Kàrolyi, mezzo soprano
Ruisi Quartet
Graham Mitchell, bass
Saturday, 16 November, concert at 8.30 p.m.
Deutsche Kammerphilharmonie Bremen
Thomas Adès, piano, conductor
Nicolas Altstaedt, cello
Masterclasses
Saturday, 9 November
Thomas Adès, piano and composition
Duo Ermitage: Ionah Maïatsky (piano) and Paul-Marie Kuzma (cello)
Trio Pantoum: Hugo Meder (violin), Bo-Geun Park (cello) and Kojiro Okada (piano)
Thomas Adès
Thomas Adès was born in London in 1971. His compositions include three operas: he conducted the premiere of the most recent, The Exterminating Angel, at the 2016 Salzburg Festival and subsequently at the Metropolitan Opera, New York and the Royal Opera House, London. He conducted the premiere and revival of The Tempest at the Royal Opera House, and a new production at the Metropolitan Opera, Vienna Staatsoper and in November 2022 at La Scala, Milan. He led the world premiere of his full-evening ballet The Dante Project at Covent Garden, and conducted it in May 2023 at the Opéra Garnier, Paris. He will conduct a new production of The Exterminating Angel in 2024 at the Opéra Bastille, Paris.
He frequently leads performances of his orchestral works Asyla (1997), Tevot (2007), Polaris (2010), Violin Concerto Concentric Paths (2005), In Seven Days for piano and orchestra (2008); Totentanz for mezzo-soprano, baritone, and orchestra (2013); and the Concerto for Piano and Orchestra (2019). His compositions also include numerous celebrated chamber and solo works.
September 2023 saw Thomas Adès conduct the Gewandhausorchester as part of his two-season residency with the ensemble which sees him appear as a conductor, pianist and composer in various concert formats. This autumn Thomas also began a two-season residency with the Hallé orchestra, which sees him conduct two orchestral concerts and curate a chamber programme. For the first appearance on 28 October, Thomas conducted the UK premiere of Tower, as well as the first UK concert performance of his ballet Purgatorio, alongside his Märchentänze for violin and orchestra with Anthony Marwood, which received its UK premiere at last year’s BBC Proms.
Thomas Adès has been the Artistic Partner of the Boston Symphony Orchestra since 2016 and he conducts the orchestra every year in Boston and at Tanglewood. He also regularly coaches Piano and Chamber Music at the International Musicians Seminar, Prussia Cove.
As conductor, Thomas appears regularly with the Los Angeles and London Philharmonic orchestras, the Boston, London, BBC, Finnish Radio and City of Birmingham Symphony Orchestras, the Royal Concertgebouworkest, Leipzig Gewandhaus and the Orchestra of Santa Cecilia, Rome. In opera, in addition to The Exterminating Angel, he has conducted The Rake’s Progress at the Royal Opera House and Zürich Opera, and the premieres of three operas by Gerald Barry, including the Los Angeles world premieres of The Importance of Being Earnest and Alice’s Adventures Under Ground, of which he also gave the European premiere at Covent Garden. Recent highlights include Thomas’s debut concerts with the Vienna Philharmonic and his conducting debut with the Berlin Philharmonic. In Summer 2022 he conducted the world premiere of Air for violin and orchestra at the Lucerne Festival, a Roche commission for Anne-Sophie Mutter and the Lucerne Festival Contemporary Orchestra.
His CD recording of The Tempest from the Royal Opera House (EMI) won the Contemporary category of the 2010 Gramophone Awards; his DVD of the production from the Metropolitan Opera was awarded the Diapason d'Or de l'année (2013), Best Opera recording (2014 Grammy Awards) and Music DVD Recording of the Year (2014 ECHO Klassik Awards).
His piano engagements have included solo recitals at Carnegie Hall (Stern Auditorium) in New York and the Wigmore Hall in London, and concerto appearances with the New York Philharmonic and Boston Symphony Orchestra. Recent piano releases include an album of solo piano music by Janáček and a live album of Winterreise with Ian Bostridge. His solo disc of Janáček’s piano music won the 2018 Janáček medal.
