La Classe d'Excellence de Violoncelle - Promotion IV
For its fourth season, the Classe d’Excellence de Violoncelle returns to the Fondation auditorium from November 2017 and until June 2018. Created and led by Gautier Capuçon, this project is geared towards six young talented cellists from all over the world selected on auditions.
The Classe d’Excellence de Violoncelle, made up of a series of artistic and professional coaching sessions, offers participants a comprehensive training opportunity intended to complement participants’ formal musical education, under the guidance of Gautier Capuçon.
Throughout the season, the Classe d’Excellence de Violoncelle also hosts a number of outside speakers who are invited to present ancillary aspects of a musician’s life and career, such as personal management, work structure, life on the road, press relations, stress management, overall well-being and physical issues. This harmonious blend of masterclasses and professional workshops allows each of the students of the promotion to develop at his own rhythm during the season through an experience as musically intense as humanly enriching.
As part of the Fondation Louis Vuitton’s mission to promote artistic creation in all its different forms and media, this unique project of residence open to the public in a museum stands as a “musical lab”.
The Classe d’Excellence de Violoncelle aims to expose its participants to a wide array of genres; to encourage dialogue and encounters with guest speakers from different cultures and nationalities; and to bring awareness to a wide range of different styles and projects. In an educational approach, the project is closely followed by medici.tv, which broadcast, sometimes live, the masterclasses and concerts of the season.
For this fourth edition, the Fondation Louis Vuitton has commissioned Guillaume Connesson to compose a work for 7 cellos. The piece will be premiered on the last concert of the season, June 16th, 2018.
- October Session
- 20 and 21 October 2018
- December Session
- 15 and 16 December
- April Session
- 20 and 21 April 2019
- May Session
- 25 and 26 May 2019
- June Session
- 28 and 29 May 2019
- Session de juin
- 15 et 16 juin
21 years old
German, lives in Lübeck (Germany)
Anouchka Hack is acclaimed by audience and press for her expressive sound and vast musicality. With her captivating stage presence and her devoted interpretations, she convinces both as a soloist and in a Duo with her sister, pianist Katharina Hack.
Born 1996 in Antwerp, Anouchka Hack grew up in a family of musicians in Germany. Since her debut as a soloist in 2010, she has been performing with numerous orchestras, including the Dortmunder Philharmoniker, the Norddeutsche Philharmonie Rostock and the Französische Kammerphilharmonie, with a wide range of repertoire reaching from the big solo concertos to double concertos and the triple concerto by Beethoven.
Anouchka Hack has been invited to play in various festivals, such as the Festival van Flandern, the International Music Festival Buxtehude and the Euregio Musikfestival. In 2017, she performed the Schumann concerto at Festspiele Mecklenburg-Vorpommern.
Together with pianist Katharina Hack, she performs at venues such as Beethovenhaus Bonn, Gasteig Munich and Kolosseum Lübeck. The duo has been broadcasted by the German radio stations NDR and WDR. In 2017, they were granted the “Young Artist Award” of the International Music Festival Buxtehude.
At masterclasses with David Geringas, Philippe Muller, Wolfgang Emanuel Schmidt, Jens-Peter Maintz and Ivan Monighetti, Anouchka Hack has gained further artistic inspiration and impulses as a cellist. In 2015 she won the furtherance prize in the Possehl competition. She has been given scholarships by the Dörken – Foundation, Richard-Wagner Verband and the Possehl Foundation. Since 2014 she has been studying with Prof. Troels Svane in Lübeck.
23 years old
French, lives in Paris (FR)
Raphaël is a young cellist motivated by his love of sharing music. He took up his instrument at the age of 5 with Jean Adolphe, before studying with Xavier Gagnepain. In 2017, he got his master degree in the class of Michel Strauss and Guillaume Paoletti at the Conservatoire Supérieur de Paris. He has been advised by G. Hoffman, J. Pernoo, B. Cocset, G. Rivinius, J. P. Maintz, L. Harell, and in jazz cello with V. Ségal and S. Braun.
Raphaël’s style is characterised by his curiosity and openness. His personal repertoire includes several concertos (Vivaldi on baroque instrument, Haydn, Schumann, Saint-Saens, Beethoven…) with orchestra, as well as the Bach cello suites, which he first performed at the ‘Festival de la Haute Clarée’, invited by Zhu Xiao Mei with whom he has been studying piano. He is a member of the Hussam Aliwat Quartet, formed by two cellos one oud and drums. Mix between rock, groove and improvisation, they play in jazz clubs like the Sunset.
Passionate about chamber music, he gives concerts in prestigious concert halls (Pleyel, Cortot, Philharmonie de Paris) and during various festivals in France (Les Rencontres Musicales d’Evian, Via Aeterna, Folles Journées de Nantes) and abroad (Hohenstaufen Festival, Molaeb Festival in Lebanon, Folles Journées in Varsovie and Tokyo…).
In 2014, Raphaël founded the Hélios Trio with Alexis Gournel (piano) and Camille Fonteneau (violin). Currently studying with Itamar Golan and François Salque, they benefited from the teachings of Claire Désert and the Wanderer Trio. Laureates of international competitions (Illzach, Prix d’Europe…) they have also been advised by G. Paoletti, Y. Markovitch, E. Strosser, C. Ivaldi, J. Meissl, G. Sutre, the Modigliani and Ebène quartets… They are in residency at the festival de la Roque d’Anthéron in 2015 and 2016, and at the festival des Arcs since 2016.
Raphaël plays a cello by Etienne Vatelot, generously lent by Michel Strauss.
25 years old
Japanese, lives in Salzburg (Austria)
Born in 1992 in Yokohama Japan, Shizuka Mitsui started playing the cello at the age of five, in Boston USA where he spent his childhood. From 1998 to 2014 he studied at the Toho-Gakuen School of Music in Tokyo under Hakuro Mori, and regularly attended the masterclass of Wen-Sinn Yang. From 2011 to 2012 he worked at the Academy of NHK Symphony Orchestra.
In 2014, he pursued his studies at the Mozarteum University Salzburg in the class of Giovanni Gnocchi. Since 2016, he has been studying under Clemens Hagen. He has also had a lot of opportunities coached by other eminent cellists, such as Jens Peter Maintz, Natalia Gutman, Jian Wang, Danjulo Ishizaka, Tsuyoshi Tsutsumi, Masato Iwai and Wolfgang Boettcher.
Shizuka is a laureate of numerous competitions at home and abroad. For instance, the Gold Prize at the Izumino-Mori Cello Competition (2009), the 2nd prize at the Japan Classic Competition (no 1st prize, 2010), Kirishima International Music Festival Award (2011), the 1st Prize at the Enrico Mainardi Competition (2016), and the 2nd prize at the Tokyo Music Competition (2017). In May 2017, he was one of the Semifinalists of the prestigious Queen Elizabeth Competition in Brussels.
Shizuka Mitsui was invited to appear at the International Cello Festival “Alfredo Piatti” in Bergamo, where he performed all Piatti’s Caprices in one concert. He also performed at “the Mozart Festival” in Cuba, “Prize Winner Concert” in Salzburg Festival, and Kusatsu International Music Festival, and “The Japan Festival” in Indiana University.
24 years old
French, lives in Paris (Fance)
Caroline Sypniewski was born in Toulouse, France, in 1992 and first began studying the cello with Blandine Boyer at that city’s Conservatoire, where she regularly received guidance from Lluis Claret. She then pursued her studies at Conservatoire à Rayonnement Régional in Paris before continuing on to the Conservatoire National Supérieur de Musique, studying under Jérôme Pernoo.
She honed her skills with prominent musicians such as Gary Hoffman, Ivan Monighetti, Marc Coppey, François Salque, Wolfgang Boettcher and Colin Carr, taking part in numerous masterclasses and academies, including the Académie de Villecroze, the Cello Masterclasses in Kronberg, Amsterdam’s Cello Biennale, the Académie Internationale de Musique Maurice Ravel and the Carl Flesch Akademie, where Caroline was invited to give a solo performance of Dvorak’s Concerto in B Minor in 2015, then Haydn’s Concerto No. 1 in 2016 with the Baden-Baden Philharmonic Orchestra.
With a strong penchant for chamber music, she has formed a string trio with her two sisters, Magdalena and Anna. She is also involved in many projects, such as the Seiji Ozawa International Academy for string quartets, the Centre de Musique de Chambre de Paris, and performs recitals or chamber music at numerous festivals, especially in France: Festival de la Vézère, Festival Pablo Casals in Prades, Festival International de Musique de Chambre de Salon-de-Provence, Tons Voisins, Festival Jeunes Talents, Notes d’été in Irancy, and Les Rencontres de Calenzana. She has also made several radio appearances, including the programmes of hosts Gaëlle le Gallic and Arièle Butaux on French classical music station France Musique.
Throughout her career, she has performed under the direction of prestigious conductors, including Tugan Sokhiev, Hebert Bloomstedt, Myung Whun Chung and Philippe Jordan, and garnered great attention at auditions for the Gustav Mahler Jugendorchester, the Académie de l'Orchestre Philharmonique de Radio-France and the Orchestre de Paris.
Caroline was named the ADAMI’s 2017 Révélation Classique, has received a grant from the Fondation Safran, was awarded the Bonnat-Helleu prize, the Grand Prix of the city of Ciboure at the Académie Internationale de Musique Maurice Ravel, and the Ginette Neveu prize at the Carl Flesch Akademie.
23 years old
Swedish, lives in Stockholm (Sweden)
Kristina is currently doing her advanced soloist diploma studies at the Malmö Academy of Music in Sweden with professor Torleif Thedéen.
In 2012-2014, she studied with Professor Valter Despalj at the Zagreb Academy of Music. She is also a graduate from the Edsberg Chamber Music Institute/Royal College of Music in Stockholm, where she studied with professor Torleif Thedéen and Mats Zetterqvist.
Kristina was born in Stockholm, Sweden, in 1994 and started to play the cello at the age of six with the Russian teacher Maria Zhuravleva. She made her solo debut at the age of 8 with the “Cantus Firmus Chamber Orchestra” in Moscow. She has since then performed with many orchestras internationally, including the St Petersburg State Symphony Orchestra, the Zagreb Philharmonic, Stuttgart Chamber Orchestra, National Philharmonic of Maryland, The National Symphony Orchestra in Washington D.C among others. Future engagements in include a solo debut with the Malmö Symphony Orchestra in Sweden.
In 2016, she won the ‘Soloist Prize’ at the Royal College of music in Stockholm and got to perform Dvorak’s Cello Concerto with the RCM Symphony Orchestra. She is a scholarship holder from the Royal Music Academy in Sweden, the John Andersson Foundation and the International Music academy in the Principality of Liechtenstein.
Kristina has a big passion for chamber music, and she therefore frequently enjoys playing at festivals in Sweden and around Europe. Recent engagements include Musethica Festival Israel, Podium Festival Croatia, Festival Next Generation in Switzerland and the Chamber Music Festival in Allhelgona Church, Stockholm. Together with the Swedish pianist Pontus Carron, she is a prize winner in the prestigious Swedish Duo Competition 2017.
Throughout the years, Kristina has had the opportunity to collaborate with and receive coaching from many esteemed musicians, such as Konstantin Bogino, Dora Schwarzberg, Andreas Brantelid, Nazanin Aghakhani, Bengt Forsberg, Reinhard Latzko, Jens Peter Maintz, Frans Helmerson and Anner Bylsma.
21 years old
American/Canadian, lives in Weimar (Germany)
Born in Canada and raised in San Diego, California, pianist and cellist Sarina Zhang made her debut with the New York Philharmonic at Avery Fisher Hall in November 2011. Sarina was named a National YoungArts Winner and a Davidson Fellow by the Davidson Institute for Talent Development.
She is also the first person in the history of the Aspen Music Festival to have won both the low strings competition and the piano concerto competition. Sarina has been featured five times on the national radio program “From the Top”, as both a pianist and a cellist, in addition to her appearance on their TV series. Sarina has performed as a soloist with the St. Louis, Detroit, San Diego, Albany, and Corpus Christi Symphony Orchestras, as well as the Buffalo Philharmonic Orchestra and Prague Youth Philharmonic, among others. Most recently, Sarina made her debut with the Juilliard Orchestra and Maestro Susanna Mälkki performing Schumann’s A minor Piano Concerto in Alice Tully Hall. Sarina was also selected as one of eleven young artists to attend Music@Menlo’s prestigious Chamber Music Institute International Program in 2015. Sarina graduated in May with a Bachelor of Music from the Juilliard School, where she studied piano with Yoheved Kaplinsky and Hung-Kuan Chen, and cello with Richard Aaron and David Finckel and was a proud recipient of a Kovner Fellowship. She will be continuing her studies this fall at the Franz Liszt Hochschule für Musik in Weimar, Germany, with Wolfgang Emanuel Schmidt.
Gautier Capuçon is truly a 21st-century ambassador for the cello. Every season, he performs with the world’s most renowned conductors and instrumentalists. Since 2014, he has also been the founder and Artistic Director of the Classe d’Excellence de Violoncelle at the Fondation Louis Vuitton in Paris. Mr Capuçon is acclaimed worldwide for his expressive musicality, virtuosity and the deep sonority of his 1701 Matteo Goffriller cello, “L’Ambassadeur”.
Capuçon has recently performed with the Los Angeles Philharmonic Orchestra, the Czech Philharmonic, the Rotterdam Philharmonic Orchestra, the Saint Louis Symphony Orchestra, the Singapore Symphony Orchestra, the Bavarian Radio Orchestra, Frankfurt Radio Symphony Orchestra, Leipzig Gewandhaus Orchestra. This gave him the opportunity to collaborate with Alain Altinoglu, Vladimir Ashkenazy, Semyon Bychkov, Stéphane Denève, Valery Gergiev, Philippe Jordan, Andris Nelsons and Gianandrea Noseda. This season, Gautier Capuçon is Artist in Residence in Lugano with the Orchestra della Svizzera Italiana.
Over the course of his career, Mr Capuçon has forged many deep and lasting musical friendships. He is invited each season by the greatest orchestras, including the Philharmonic Orchestras of Berlin, Vienna, Los Angeles and New York, as well as the Chicago, San Francisco and London Symphony Orchestras. He works with conductors such as Lionel Bringuier, Myung-Whun Chung, Gustavo Dudamel, Charles Dutoit, Christoph Eschenbach, Paavo Järvi, Andris Nelsons, Yannick Nézet-Séguin, Andrés Orozco-Estrada and Tugan Sokhiev. He also collaborates with many contemporary composers, including Lera Auerbach, Karol Beffa, Esteban Benzecry, Nicola Campogrande, Qigang Chen, Bryce Dessner, Richard Dubugnon, Jérôme Ducros, Henri Dutilleux, Thierry Escaich, Philippe Manoury, Bruno Mantovani, Krzysztof Penderecki, Wolfgang Rihm, and Jörg Widmann. Current projects include the world premiere of Tabachnik’s Cello Concerto, as well as collaborations with Danny Elfman and Thierry Escaich.
As a chamber musician, he is invited to perform in the world’s most superb venues and at the most renowned festivals with partners such as Nicholas Angelich, Martha Argerich, Daniel Barenboim, Lisa Batiashvili, Frank Braley, Renaud Capuçon, Jérôme Ducros, Katia and Marielle Labèque, Menahem Pressler, Jean-Yves Thibaudet, Yuja Wang and the Artemis and Ébène Quartets.
Discography: Recording exclusively for Erato (Warner Classics), Mr Capuçon has won multiple awards and boasts an extensive discography. Earlier recordings include Shostakovich with the Mariinsky Orchestra/Valery Gergiev, Saint-Saëns (Concerto N°1 and La Muse et Le Poète) with the Orchestre Philharmonique de Radio France/Lionel Bringuier, Schubert's String Quintet with the Ébène Quartet; and the complete Beethoven sonatas with Frank Braley. His latest releases include the album Intuition (February 2018) recorded with the Orchestre de Chambre de Paris/Douglas Boyd and pianist Jérôme Ducros, a live Schumann album with Martha Argerich, Renaud Capuçon, the Chamber Orchestra of Europe and Bernard Haitink (January 2019), as well as the sonatas of Chopin and Franck with pianist Yuja Wang (December 2019). Since the fall of 2019, he has been presenting “Les Carnets de Gautier Capuçon” on France’s Radio Classique, Saturdays and Sundays from 10 to 11 a.m. Mr Capuçon also appears onscreen and online in programmes such as The Artist Academy, Prodiges and Now Hear This. In 2013, Deutsche Grammophon also released a live DVD of Mr Capuçon with the Berliner Philharmoniker and Gustavo Dudamel in a performance of Haydn’s Cello Concerto No. 1. His most recent album was released in November 2020 on Warner Classics: an Emotions recital, composed of transcriptions of works by Debussy, Satie, Elgar, Schubert and Edith Piaf by pianist Jérôme Ducros, with the Orchestre de Chambre de Paris and Adrien Perruchon.
Born in Chambéry in 1981, Gautier Capuçon began playing the cello at the age of five with Augustin Lefèbvre and studied in Paris with Annie Cochet-Zakine, Philippe Muller, then in Vienna with Heinrich Schiff. He has been awarded several first prizes in international competitions, including the Premier Grand Prix at the Concours International André Navarra in Toulouse.
In January 2021, Mr Capuçon was promoted to the rank of Chevalier in France’s Ordre National de la Légion d'Honneur. In January 2022, he established his own foundation to help talented young musicians start their careers, thereby furthering his commitment to young artists.
Samuel Parent est né en 1982 dans le Vaucluse.
Après avoir étudié avec Michel Bourdoncle à Aix-en-Provence, puis Olivier Gardon à Paris, il est admis en 2000 dans la classe de Brigitte Engerer au Conservatoire National Supérieur de Musique de Paris, dont il sort quatre ans plus tard avec un diplôme de Formation Supérieure, mention très bien.
En 2008, il remporte le deuxième prix au concours international Rina Sala Gallo de Monza, Italie. Cette même année, il intègre la classe de musique de chambre du quatuor Artemis à la Chapelle Musicale Reine Elisabeth de Belgique.
Pendant une quinzaine d'années, Samuel Parent a été le pianiste du Trio con Fuoco, ensemble récompensé dans plusieurs concours internationaux (Illzach, Florence, Heerlen...) et au sein duquel il s'est produit dans de nombreux festivals (Aix-en-Provence, la Roque d'Anthéron, Flâneries musicales de Reims) et sur la scène mondiale : concerts à l'Auditorium du Louvre, au Bozar de Bruxelles, à l'Auditorium de Dijon, au Maroc, en Espagne, aux Pays-Bas, en Inde, en Amérique Centrale...
Chambriste recherché, Samuel Parent se produit avec de nombreux artistes tels que Gautier Capuçon, le quatuor Ebène, Hugues Borsarello, le quatuor Van Kuijk, Henri Demarquette, Olivier Patey, Erik Berchot, Ami Flammer, Frédéric Aguessy, Emmanuel Christien, Mathilde Borsarello-Herrmann, Karen Vourc'h, Mari Eriksmoen... Il a ainsi été invité dans des cadres prestigieux comme le Palais de la Musique à Valencia, les Sommets Musicaux de Gstaad ou la saison musicale de Schloss Elmau. En France, Samuel Parent a joué notamment au festival Pianoscope à Beauvais, au Festival de Colmar, au Festival de Chambord, Musique en Côte Basque, au Printemps de la Grange au Lac, à la salle Gaveau, au théâtre du Châtelet à Paris.
Samuel Parent se distingue également pour ses talents d'accompagnateur : depuis janvier 2014, il est le pianiste de Yanowski qu'il accompagne dans son tour de chant « la Passe Interdite ». Il est régulièrement invité dans diverses académies estivales pour apporter son soutien à de nombreux étudiants. Depuis 2015, il est le pianiste accompagnateur de la classe d'Excellence de Violoncelle de Gautier Capuçon à la Fondation Louis Vuitton à Paris. En 2019, Samuel Parent est l'un des accompagnateurs officiels du Concours Musical Reine Elisabeth à Bruxelles.
Samuel Parent se distingue également pour ses talents d'accompagnateur : depuis janvier 2014, il est le pianiste de Yanowski qu'il accompagne dans son tour de chant « la Passe Interdite ». Il est régulièrement invité dans diverses académies estivales pour apporter son soutien à de nombreux étudiants. Depuis 2015, il est le pianiste accompagnateur de la classe d'Excellence de Violoncelle de Gautier Capuçon à la Fondation Louis Vuitton à Paris. En 2019, Samuel Parent est l'un des accompagnateurs officiels du Concours Musical Reine Elisabeth à Bruxelles.Samuel Parent se distingue également pour ses talents d'accompagnateur : depuis janvier 2014, il est le pianiste de Yanowski qu'il accompagne dans son tour de chant « la Passe Interdite ». Il est régulièrement invité dans diverses académies estivales pour apporter son soutien à de nombreux étudiants. Depuis 2015, il est le pianiste accompagnateur de la classe d'Excellence de Violoncelle de Gautier Capuçon à la Fondation Louis Vuitton à Paris. En 2019, Samuel Parent est l'un des accompagnateurs officiels du Concours Musical Reine Elisabeth à Bruxelles.